In a society driven by technology, curator Gabriella Warren-Smith is fascinated by the impact of digital devices on the way humans think and behave.
In this talk, Gabriella shared the results of her research project “Cognitive Sensations”, a public programme of cross-disciplinary practice in art and science examining the impact of technology on the brain.
How are perception and attention impacted by repetitive screen exposure, and what is our biological future with these devices?
Watch this talk
This event was produced for you by our super Team of Volunteers. Lots of shine to: Samm Anga, Dean Botham, Mishelle Brito, Alexandra Busila, Francesca Gransden, Matthew Harvey.
►► Music jingle by Samm Anga
About the music
What did we learn?
- Cognitive Sensations is now officially registered and the project is expanding.
- Our behaviour related to technology can be trained.
- Neuroplasticity is what keeps our brain up to speed in learning new habits.
- The interesting point of view of scientist vs artists in talking about neuro-science.
More info
- The Blog from Francesca Gransden, Chief Web Editor.
- The Monograph (additional material) from Mishelle Brito, Digital Programme Curator.
- Podcast available on Anchor, Apple, Spotify
External links of interest
- The recent report by The Serpentine Galleries “Future Art Ecosystems1: Art and Advanced Technologies“
- Visions of the Future: Art, Genetics and Artificial Intelligence from Arte TV of interest related to Art and Science (Free)
- The Nuts and Bolts of Better Brains: Harnessing the Power of Neuroplasticity. Speakers: Alvaro Pascual-Leone, Nim Tottenham, Carla Shatz.
Holy grail of Neuroscience – how to enhance the brain? 50:12 | Enhancing memory performance as we age 53:37 - The Mind Explains – Netflix series
- Nine Artists who made contribution to Science
- Data Detox Kit by Tactical Tech
- Jaron Lanier interview on how social media ruins your life
Curator’s Portfolio
© Courtesy of the curator.
© Courtesy of the curator.
What’s Next for Gabriella Warren-Smith?
© Courtesy of the curator.
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