Ashley Zelinskie (b. 1987) is a Brooklyn-based conceptual artist working at the intersection of art, technology and mathematics.
Her works span a variety of media, from large- and small-scale sculpture to canvas and print works, each created using cutting edge technology such as 3D printing and computer-guided laser cutting.
Her work focuses on visualizing data in abstract forms and finding new and interesting ways to describe complex ideas.
Ashley’s work has been featured by Vice, Brooklyn Magazine, the New York Times and Hyperallergic. Her work forms part of the permanent collection of the US Department of State Art in Embassies Program and has recently been exhibited at Sotheby’s New York. Ashley is a former resident of New Inc.—the New Museum’s Art and Technology Incubator—and currently working in collaboration with NASA. She is a graduate of the Rhode Island School of Design.
How can humans hope to transmit our cultural heritage into the future when we ourselves are impermanent, alive for only seconds when compared to the lifetime of the universe? Utilizing a post-New Media approach, wherein the media employed are merely vehicles in service of underlying concepts, I am attempting the process of translating our vast history into a universal language meant to stand the test of time. By fabricating traditional objects in dual forms—as the classical entity and the data that represent them—my work seeks to focus a lens on our place as a small part of a larger whole.